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====== Datalogs ====== | ====== Datalogs ====== | ||
- | Datalogs are snippets of in-universe text which can be obtained by completing a [[missions: | + | Datalogs are snippets of in-universe text which can be obtained by completing a [[missions: |
The datalogs are only available when playing with the [[: | The datalogs are only available when playing with the [[: | ||
===== Banks ===== | ===== Banks ===== | ||
+ | {{ : | ||
- | PAMPHLET ARTIFACT, DUBLIN NUA{{ : | + | > < |
+ | PAMPHLET ARTIFACT, DUBLIN NUA | ||
- | A TRUE FRIEND OF THE PEOPLE OF DUBLIN\\ | + | A TRUE FRIEND OF THE PEOPLE OF DUBLIN\\ (From a printed pamphlet found in ruined building in Dublin Nua during the Fall Siege) |
- | (From a printed pamphlet found in ruined building in Dublin Nua during the Fall Siege) | + | |
I'm not going to lie to you, good citizens of Dublin. We are in a bad spot. What began as a reasonable and well-tempered defense of our simple human rights has blossomed, through the sheer intransigence of our opposition, into full-throated rebellion. I know this wasn't what you signed up for at that fateful Citizens' | I'm not going to lie to you, good citizens of Dublin. We are in a bad spot. What began as a reasonable and well-tempered defense of our simple human rights has blossomed, through the sheer intransigence of our opposition, into full-throated rebellion. I know this wasn't what you signed up for at that fateful Citizens' | ||
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Slán go fóill! | Slán go fóill! | ||
+ | </ | ||
---- | ---- | ||
===== Central ===== | ===== Central ===== | ||
+ | {{ : | ||
- | DEPROGRAMMING TRANSCRIPT\\ | + | > <WRAP chatlog> |
+ | DEPROGRAMMING TRANSCRIPT \\ | ||
ArctuCo Security Detachment Office, Dec 23, 2043 | ArctuCo Security Detachment Office, Dec 23, 2043 | ||
- | **Interrogator: | + | ^ Interrogator: |
- | + | ^ Subject: | |
- | **Subject:** Ellen Ripley | + | | //<sounds of electrical discharge, groaning> |
- | + | ^ Interrogator: | |
- | <sounds of electrical discharge, groaning> | + | ^ Subject: |
- | + | | //<sounds of electrical discharge, groaning> | |
- | **Interrogator: | + | ^ Interrogator: |
- | + | ^ Subject: | |
- | **Subject:** | + | | //<sounds of electrical discharge, groaning> |
- | + | ^ Interrogator: | |
- | <sounds of electrical discharge, groaning> | + | ^ Subject: |
- | + | ^ Interrogator: | |
- | **Interrogator: | + | ^ Subject: |
- | + | ^ Interrogator: | |
- | **Subject:** I already told you, I'm a Regional Director of Acquisitions for FTM. I'm here to talk business with ArctuCo. We're looking to hire you for- | + | ^ Subject: |
- | + | ^ Interrogator: | |
- | <sounds of electrical discharge, groaning> | + | </ |
- | + | ||
- | **Interrogator: | + | |
- | + | ||
- | **Subject:** I was looking for the bathroom. I took a wrong turn!\\ | + | |
- | < silence > | + | |
- | What, are you worried about your electricity bill all of a sudden?\\ | + | |
- | + | ||
- | **Interrogator: | + | |
- | + | ||
- | **Subject:** Alright. The charade was getting tiresome, anyway. Hand us a towel, will you? | + | |
- | + | ||
- | **Interrogator: | + | |
- | + | ||
- | **Subject:** Poor approximation? | + | |
- | + | ||
- | **Interrogator: | + | |
- | Now. Let's begin again, shall we? But for real, this time. | + | |
---- | ---- | ||
===== Decker ===== | ===== Decker ===== | ||
+ | {{ : | ||
- | NOTICE OF TERMINATION{{ : | + | > < |
+ | NOTICE OF TERMINATION | ||
K&O Notice of Termination | K&O Notice of Termination | ||
Line 94: | Line 83: | ||
Matthias Schmitt | Matthias Schmitt | ||
+ | </ | ||
---- | ---- | ||
===== Dr. Xu ===== | ===== Dr. Xu ===== | ||
+ | {{ : | ||
- | K&O INTER-OFFICE CORRECTIONAL SERVICE\\ | + | > < |
+ | K&O INTER-OFFICE CORRECTIONAL SERVICE\\ | ||
REHABILITATION REPORT | REHABILITATION REPORT | ||
Line 127: | Line 119: | ||
RECOMMENDATION: | RECOMMENDATION: | ||
As of this report, the target' | As of this report, the target' | ||
+ | </ | ||
---- | ---- | ||
===== Draco ===== | ===== Draco ===== | ||
+ | {{ : | ||
- | *THE DATA VAMPIRES" | + | > < |
+ | "THE DATA VAMPIRES" | ||
(Excerpt from chapter 13: Abby plugs in) | (Excerpt from chapter 13: Abby plugs in) | ||
Line 153: | Line 148: | ||
She was a hunter, and this was her net. | She was a hunter, and this was her net. | ||
+ | </ | ||
---- | ---- | ||
===== Internationale ===== | ===== Internationale ===== | ||
+ | {{ : | ||
- | MAGAZINE ARTICLE: International Worker{{ : | + | > < |
+ | MAGAZINE ARTICLE: International Worker | ||
LETTER TO THE EDITOR\\ | LETTER TO THE EDITOR\\ | ||
Line 178: | Line 176: | ||
For shame. | For shame. | ||
Maria Valdez | Maria Valdez | ||
+ | </ | ||
---- | ---- | ||
===== Monst3r ===== | ===== Monst3r ===== | ||
+ | {{ : | ||
- | INTERCEPTED SUBNET CHAT LOG{{ : | + | > <WRAP chatlog> |
+ | INTERCEPTED SUBNET CHAT LOG | ||
- | **Monst3r:** You've been moving into my territory again. Consider this a friendly reminder of our previous arrangements. | + | ^ Monst3r: |
+ | ^ ShopCat: | But I have the softest of warez for sale. I must have access to the biggest number of willing humans to make business. | | ||
+ | ^ Monst3r: | We agreed to stay out of each other' | ||
+ | ^ ShopCat: | Are you a willing human? Would you like to purchase some of my soft warez, willing human? | | ||
+ | ^ Monst3r: | What? No. Are you even listening to me? I feel like we've had this conversation a hundred times before. I will sell my hardware within my territory, and you will sell your software within yours. I have arrangements with other distributors for software in my own back yard. You need to stay out. \\ This is all standard business practice, why is it so hard for you to understand? | | ||
+ | ^ ShopCat: | Perhaps this willing human has no need of soft warez. I have other things for sale. Would you like to purchase a premium quality gun of flurries? | | ||
+ | ^ Monst3r: | Did you really just offer to sell me physical goods? Really? We've talked about that as well. If I catch you selling physical goods in my territory I will have no choice but to retaliate. Physically. With violence. Please don't make me do that. I have a reputation to keep up. | | ||
+ | ^ ShopCat: | I have offended the willing human. I am full of regret. Please tell me of a location and I will give for you a nice, fresh, dead mouse. | | ||
+ | ^ Monst3r: | Sigh. And while we are discussing our arrangements, | ||
+ | ^ ShopCat: | You have need of a Markov chain? I have the finest of Markov chains for sale. They are trained with the best of datas available on the net. What is your named price, willing human? | | ||
+ | ^ Monst3r: | OK. This is going nowhere. Stay out of my damned territory you damned fake internet cat, or I will ruin you. Goodbye. | | ||
+ | | | //Monst3r disconnected// | ||
+ | ^ ShopCat: | Goodbye, willing human. Maybe you will buy some soft warez at a later time. | | ||
+ | </ | ||
- | **ShopCat: | + | ---- |
- | **Monst3r: | ||
- | |||
- | **ShopCat: | ||
- | |||
- | **Monst3r: | ||
- | This is all standard business practice, why is it so hard for you to understand? | ||
- | |||
- | **ShopCat: | ||
- | |||
- | **Monst3r: | ||
- | |||
- | **ShopCat: | ||
- | |||
- | **Monst3r: | ||
- | |||
- | **ShopCat: | ||
- | |||
- | **Monst3r: | ||
- | |||
- | //Monst3r disconnected// | ||
- | |||
- | **ShopCat: | ||
- | |||
- | ---- | ||
===== Nika ===== | ===== Nika ===== | ||
+ | {{ : | ||
- | Nika Muratova Final Interview Transcript\\ | + | > <WRAP chatlog> |
+ | Nika Muratova Final Interview Transcript \\ | ||
Aug 5, 2070 | Aug 5, 2070 | ||
- | **Central:** Tell me again about the final incident at the Popov Estate. The one that led to your termination. | + | ^ Central: |
- | + | ^ Muratova: | |
- | **Muratova:** We were attacked by a hostile takeover force. It was night. The attack was successfully repelled, but my employer suffered from complications. | + | ^ Central: |
- | + | ^ Muratova: | |
- | **Central:** Complications? | + | ^ Central: |
- | + | ^ Muratova: | |
- | **Muratova:** He did not survive. | + | ^ Central: |
- | + | ^ Muratova: | |
- | **Central:** Can you elaborate upon that? | + | ^ Central: |
- | + | ^ Muratova: | |
- | **Muratova:** I was engaging the final two attackers in the doorway of the safe room. My employer was taking shelter behind a table. I had just neutralized one assailant by severing her right arm at the shoulder with a loop of nanofibre. The final assailant was momentarily distracted by this action, so I removed two flash grenades from his belt, primed them, and inserted them under his helmet visor. I issued a verbal warning to my employer to close his eyes. He did not hear it clearly. He looked over the table to request clarification just as the grenades activated in my hands. He suffered a massive coronary incident and died instantly. | + | ^ Central: |
- | + | ^ Muratova: | |
- | **Central:** From the flash? | + | ^ Central: |
- | + | </ | |
- | **Muratova:** He was old. Over one hundred years of age. His death was regrettable but inevitable. | + | |
- | + | ||
- | **Central:** I see. One more clarification. How many attackers were there in total? | + | |
- | + | ||
- | **Muratova:** Approximately two dozen. | + | |
- | + | ||
- | **Central:** Approximately? | + | |
- | + | ||
- | **Muratova:** It was hard to tell from the pieces that were left behind. Or not left behind, in many cases. That estimate is from a DNA analysis. Of the... residues. | + | |
- | + | ||
- | **Central:** Thank you, Ms Muratova. I think we can make use of your skillset. Welcome to Invisible, Inc. | + | |
---- | ---- | ||
===== Prism ===== | ===== Prism ===== | ||
+ | {{ : | ||
- | ONLINE REVIEW: "The Istanbul Four" (2070){{ : | + | > < |
+ | ONLINE REVIEW: "The Istanbul Four" (2070) | ||
It's easy to get jaded in this business. I watch A LOT of holovids - entire days spent immersed in the worst dreck pumped out by the 'woods - and it's only through the generous application of (legal, I swear!) stims that I get through it. Have you ever tried the senso The Wise Room while chemically un-assisted? | It's easy to get jaded in this business. I watch A LOT of holovids - entire days spent immersed in the worst dreck pumped out by the 'woods - and it's only through the generous application of (legal, I swear!) stims that I get through it. Have you ever tried the senso The Wise Room while chemically un-assisted? | ||
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I give "The Istanbul Four" 4½ stars out of 4. This one is literally off the charts! | I give "The Istanbul Four" 4½ stars out of 4. This one is literally off the charts! | ||
+ | </ | ||
---- | ---- | ||
===== Rush ===== | ===== Rush ===== | ||
+ | {{ : | ||
- | 2050 AUGMENT GAMES TRANSCRIPT\\ | + | > <WRAP chatlog> |
+ | 2050 AUGMENT GAMES TRANSCRIPT \\ | ||
TRANSCRIPT OF THE CLOSING CEREMONIES | TRANSCRIPT OF THE CLOSING CEREMONIES | ||
- | viz: Long panning shot of crowd of Čapek stadium. | + | | //viz: Long panning shot of crowd of Čapek stadium.// || |
- | + | ^ ANNOUNCER 1: | And with that, the 23rd annual Augmented Games comes to an end. | | |
- | **ANNOUNCER 1:** And with that, the 23rd annual Augmented Games comes to an end. | + | ^ ANNOUNCER 2: | It really was an amazing games, wasn't it? | |
- | + | | //viz: Interior mid-shot of two announcers at a long desk// || | |
- | **ANNOUNCER 2:** It really was an amazing games, wasn't it? | + | ^ ANNOUNCER 1: | It was. We saw some really impressive records set this time. The augletes are really pushing the boundaries of human performance on the field. |
- | + | ^ ANNOUNCER 2: | They really are. The numbers are so impressive, but beyond those numbers, it's the stories, the human stories, that really stand out to me this time. There' | |
- | viz: Interior mid-shot of two announcers at a long desk | + | ^ ANNOUNCER 1: | I think I know who you're talking about. |
- | + | ^ ANNOUNCER 2: | You do! Of course you do! She's all anyone is talking about. | |
- | **ANNOUNCER 1:** It was. We saw some really impressive records set this time. The augletes are really pushing the boundaries of human performance on the field. | + | ^ ANNOUNCER 1: | Collette Phan! | |
- | + | ^ ANNOUNCER 2: | Or Rush to her fans! And she's picked up more than a few of those in the past 4 days. | | |
- | **ANNOUNCER 2:** They really are. The numbers are so impressive, but beyond those numbers, it's the stories, the human stories, that really stand out to me this time. There' | + | ^ ANNOUNCER 1: | That high-dive! It was unbelieveable. Do we have footage of that? | |
- | + | | //viz: Drone footage of a high-altitude stationary platform. Support techs wearing heavy flight suits and breathing apparatuses are preparing equipment. They struggle to stay upright against high winds.// || | |
- | **ANNOUNCER 1:** I think I know who you're talking about. | + | ^ ANNOUNCER 1: | Here's the big arrival that captured, I mean, just captivated audiences worldwide. |
- | + | | //viz: The platform' | |
- | **ANNOUNCER 2:** You do! Of course you do! She's all anyone is talking about. | + | ^ ANNOUNCER 2: | Look at that confidence! She's really taking her time to own that platform. You can almost hear the sponsorship deals rolling in. | |
- | + | ^ ANNOUNCER 1: | Is she holding her breath? You can't breathe up there, can you? | | |
- | **ANNOUNCER 1:** Collette Phan! | + | ^ ANNOUNCER 2: | Well *I* couldn' |
- | + | ^ ANNOUNCER 1: | Wait, here's the best part, she's asking for the radio, see.. wait for it, she's got something to say. | | |
- | **ANNOUNCER 2:** Or Rush to her fans! And she's picked up more than a few of those in the past 4 days. | + | | //viz: Rush, holding a microphone, glances over the edge and shrugs.// || |
- | + | ^ RUSH | Huh. I thought it would be higher. | |
- | **ANNOUNCER 1:** That high-dive! It was unbelieveable. Do we have footage of that? | + | | //viz: Rush tosses the mic back on the the platform, and casually steps into the void. Camera cuts back to the sports desk// || |
- | + | ^ ANNOUNCER 2: | She got a perfect score across the board! She said THAT and then nailed it! Even the Sankaku judge had to give her a perfect 10. Unbelieveable! | |
- | viz: Drone footage of a high-altitude stationary platform. Support techs wearing heavy flight suits and breathing apparatuses are preparing equipment. They struggle to stay upright against high winds. | + | ^ ANNOUNCER 1: | And that wasn't her only event, can we see the 1000 meter dash, too? | |
- | + | </ | |
- | **ANNOUNCER 1:** Here's the big arrival that captured, I mean, just captivated audiences worldwide. | + | |
- | + | ||
- | viz: The platform' | + | |
- | + | ||
- | **ANNOUNCER 2:** Look at that confidence! She's really taking her time to own that platform. You can almost hear the sponsorship deals rolling in. | + | |
- | + | ||
- | **ANNOUNCER 1:** Is she holding her breath? You can't breathe up there, can you? | + | |
- | + | ||
- | **ANNOUNCER 2:** Well *I* couldn' | + | |
- | + | ||
- | **ANNOUNCER 1:** Wait, here's the best part, she's asking for the radio, see.. wait for it, she's got something to say. | + | |
- | + | ||
- | viz: Rush, holding a microphone, glances over the edge and shrugs. | + | |
- | + | ||
- | **RUSH:** Huh. I thought it would be higher. | + | |
- | + | ||
- | viz: Rush tosses the mic back on the the platform, and casually steps into the void. Camera cuts back to the sports desk | + | |
- | + | ||
- | **ANNOUNCER 2:** She got a perfect score across the board! She said THAT and then nailed it! Even the Sankaku judge had to give her a perfect 10. Unbelieveable! | + | |
- | + | ||
- | **ANNOUNCER 1:** And that wasn't her only event, can we see the 1000 meter dash, too? | + | |
---- | ---- | ||
===== Shalem 11 ===== | ===== Shalem 11 ===== | ||
+ | {{ : | ||
- | MAGAZINE ARTICLE: Climb Up!{{ : | + | > < |
+ | MAGAZINE ARTICLE: Climb Up! | ||
FROM Climb Up! Weekly, NOV 23, 2062\\ | FROM Climb Up! Weekly, NOV 23, 2062\\ | ||
Line 338: | Line 305: | ||
So thank you, Shalem 11, for making this one reporter' | So thank you, Shalem 11, for making this one reporter' | ||
+ | </ | ||
---- | ---- |