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====== Datalogs ====== | ====== Datalogs ====== | ||
- | Datalogs are snippets of in-universe text which can be obtained by completing a [[missions: | + | Datalogs are snippets of in-universe text which can be obtained by completing a [[missions: |
The datalogs are only available when playing with the [[: | The datalogs are only available when playing with the [[: | ||
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{{ : | {{ : | ||
- | > PAMPHLET ARTIFACT, DUBLIN NUA | + | > < |
- | > | + | PAMPHLET ARTIFACT, DUBLIN NUA |
- | > A TRUE FRIEND OF THE PEOPLE OF DUBLIN\\ (From a printed pamphlet found in ruined building in Dublin Nua during the Fall Siege) | + | |
- | > | + | |
- | > I'm not going to lie to you, good citizens of Dublin. We are in a bad spot. What began as a reasonable and well-tempered defense of our simple human rights has blossomed, through the sheer intransigence of our opposition, into full-throated rebellion. I know this wasn't what you signed up for at that fateful Citizens' | + | |
- | > | + | |
- | > At times like these it can be easy to lose our resolve. It's getting cold. It's getting dark. We're all getting hungry. You have all given so much to the cause, and it pains me to ask for more, but I have to do it anyway. Our very lives- and the lives and dreams of our children- depend upon it! | + | |
- | > | + | |
- | > But all is not doom and gloom! These challenging times have brought out the best in our people. Take, as an illustrious example, the case of our own Jolie Murphy. | + | |
- | > | + | |
- | > Jolie hasn't always made the best choices in her short life. She didn't have that luxury. She grew up under the hard rule of our corporate masters, and had to turn to a life of crime in order to survive. She stole from the corporates, and she got good at it. So good, in fact, that she got to live amongst them. And quite comfortably, | + | |
- | > | + | |
- | > But when our trouble began, Jolie knew what was really happening. When the corporate media went on about riots and looting, she knew that our people were just fighting back against unjust sanctions meant to bring us to heel. She knows the game, and how it's rigged. She's been playing it all of her life. | + | |
- | > | + | |
- | > When the siege was declared, she gave up the safety of exile, and came back to Dublin to help. And her vast fortune, stolen from those who stole it from us, came home with her. We're using that fortune now to buy weapons, and to buy food, and to keep the electricity buzzing and the gas flowing and to keep our people alive. All of this is possible because one of our own, a woman who's from this place, saw the value of what we are fighting for, and gave up her own comfort and her own needs to help us out. | + | |
- | > | + | |
- | > And so with a little luck, we just might be able to hold out through the winter. And with a little more luck, that might raise enough hell to convince some corporate so-and-so that continued hostilities are an ' | + | |
- | > | + | |
- | > Slán go fóill! | + | |
- | ---- | + | A TRUE FRIEND OF THE PEOPLE OF DUBLIN\\ (From a printed pamphlet found in ruined building in Dublin Nua during the Fall Siege) |
- | ===== Central ===== | + | |
- | DEPROGRAMMING TRANSCRIPT\\ {{ : | + | I'm not going to lie to you, good citizens of Dublin. We are in a bad spot. What began as a reasonable and well-tempered defense of our simple human rights has blossomed, through the sheer intransigence of our opposition, into full-throated rebellion. I know this wasn't what you signed up for at that fateful Citizens' |
- | ArctuCo Security Detachment Office, Dec 23, 2043 | + | |
- | **Interrogator: | + | At times like these it can be easy to lose our resolve. It's getting cold. It's getting dark. We're all getting hungry. You have all given so much to the cause, and it pains me to ask for more, but I have to do it anyway. Our very lives- and the lives and dreams of our children- depend upon it! |
- | **Subject: | + | But all is not doom and gloom! These challenging times have brought out the best in our people. Take, as an illustrious example, the case of our own Jolie Murphy. |
- | < | + | Jolie hasn't always made the best choices in her short life. She didn't have that luxury. She grew up under the hard rule of our corporate masters, and had to turn to a life of crime in order to survive. She stole from the corporates, and she got good at it. So good, in fact, that she got to live amongst them. And quite comfortably, |
- | **Interrogator: | + | But when our trouble began, Jolie knew what was really happening. When the corporate media went on about riots and looting, she knew that our people were just fighting back against unjust sanctions meant to bring us to heel. She knows the game, and how it's rigged. She's been playing it all of her life. |
- | **Subject: | + | When the siege was declared, she gave up the safety of exile, and came back to Dublin to help. And her vast fortune, stolen from those who stole it from us, came home with her. We're using that fortune now to buy weapons, and to buy food, and to keep the electricity buzzing and the gas flowing and to keep our people alive. All of this is possible because one of our own, a woman who' |
- | < | + | And so with a little luck, we just might be able to hold out through the winter. And with a little more luck, that might raise enough hell to convince some corporate so-and-so that continued hostilities are an ' |
- | **Interrogator: | + | Slán go fóill! |
+ | </ | ||
- | **Subject:** I already told you, I'm a Regional Director of Acquisitions for FTM. I'm here to talk business with ArctuCo. We're looking to hire you for- | + | ---- |
+ | ===== Central ===== | ||
+ | {{ :agents: | ||
- | <sounds of electrical discharge, groaning> | + | > <WRAP chatlog> |
+ | DEPROGRAMMING TRANSCRIPT \\ | ||
+ | ArctuCo Security Detachment Office, Dec 23, 2043 | ||
- | **Interrogator: | + | ^ Interrogator: |
- | + | ^ Subject: | Ellen Ripley | | |
- | **Subject:** I was looking for the bathroom. I took a wrong turn!\\ | + | | //< |
- | < silence > | + | ^ Interrogator: |
- | What, are you worried about your electricity bill all of a sudden?\\ | + | ^ Subject: | What's YOUR name, you piece of- | |
- | + | | //< | |
- | **Interrogator: | + | ^ Interrogator: |
- | + | ^ Subject: | I already told you, I'm a Regional Director of Acquisitions for FTM. I'm here to talk business with ArctuCo. We're looking to hire you for- | | |
- | **Subject:** Alright. The charade was getting tiresome, anyway. Hand us a towel, will you? | + | | //< |
- | + | ^ Interrogator: | |
- | **Interrogator: | + | ^ Subject: |
- | + | ^ Interrogator: | |
- | **Subject:** Poor approximation? | + | ^ Subject: |
- | + | ^ Interrogator: | |
- | **Interrogator: | + | ^ Subject: |
- | Now. Let's begin again, shall we? But for real, this time. | + | ^ Interrogator: |
+ | </ | ||
---- | ---- | ||
===== Decker ===== | ===== Decker ===== | ||
+ | {{ : | ||
- | NOTICE OF TERMINATION{{ : | + | > < |
+ | NOTICE OF TERMINATION | ||
K&O Notice of Termination | K&O Notice of Termination | ||
Line 94: | Line 83: | ||
Matthias Schmitt | Matthias Schmitt | ||
+ | </ | ||
---- | ---- | ||
===== Dr. Xu ===== | ===== Dr. Xu ===== | ||
+ | {{ : | ||
- | K&O INTER-OFFICE CORRECTIONAL SERVICE\\ | + | > < |
+ | K&O INTER-OFFICE CORRECTIONAL SERVICE\\ | ||
REHABILITATION REPORT | REHABILITATION REPORT | ||
Line 127: | Line 119: | ||
RECOMMENDATION: | RECOMMENDATION: | ||
As of this report, the target' | As of this report, the target' | ||
+ | </ | ||
---- | ---- | ||
===== Draco ===== | ===== Draco ===== | ||
+ | {{ : | ||
- | *THE DATA VAMPIRES" | + | > < |
+ | "THE DATA VAMPIRES" | ||
(Excerpt from chapter 13: Abby plugs in) | (Excerpt from chapter 13: Abby plugs in) | ||
Line 153: | Line 148: | ||
She was a hunter, and this was her net. | She was a hunter, and this was her net. | ||
+ | </ | ||
---- | ---- | ||
===== Internationale ===== | ===== Internationale ===== | ||
+ | {{ : | ||
- | MAGAZINE ARTICLE: International Worker{{ : | + | > < |
+ | MAGAZINE ARTICLE: International Worker | ||
LETTER TO THE EDITOR\\ | LETTER TO THE EDITOR\\ | ||
Line 178: | Line 176: | ||
For shame. | For shame. | ||
Maria Valdez | Maria Valdez | ||
+ | </ | ||
---- | ---- | ||
===== Monst3r ===== | ===== Monst3r ===== | ||
- | {{ : | + | {{ : |
> <WRAP chatlog> | > <WRAP chatlog> | ||
Line 227: | Line 226: | ||
---- | ---- | ||
===== Prism ===== | ===== Prism ===== | ||
+ | {{ : | ||
- | ONLINE REVIEW: "The Istanbul Four" (2070){{ : | + | > < |
+ | ONLINE REVIEW: "The Istanbul Four" (2070) | ||
It's easy to get jaded in this business. I watch A LOT of holovids - entire days spent immersed in the worst dreck pumped out by the 'woods - and it's only through the generous application of (legal, I swear!) stims that I get through it. Have you ever tried the senso The Wise Room while chemically un-assisted? | It's easy to get jaded in this business. I watch A LOT of holovids - entire days spent immersed in the worst dreck pumped out by the 'woods - and it's only through the generous application of (legal, I swear!) stims that I get through it. Have you ever tried the senso The Wise Room while chemically un-assisted? | ||
Line 247: | Line 248: | ||
I give "The Istanbul Four" 4½ stars out of 4. This one is literally off the charts! | I give "The Istanbul Four" 4½ stars out of 4. This one is literally off the charts! | ||
+ | </ | ||
---- | ---- | ||
===== Rush ===== | ===== Rush ===== | ||
+ | {{ : | ||
- | 2050 AUGMENT GAMES TRANSCRIPT\\ | + | > <WRAP chatlog> |
+ | 2050 AUGMENT GAMES TRANSCRIPT \\ | ||
TRANSCRIPT OF THE CLOSING CEREMONIES | TRANSCRIPT OF THE CLOSING CEREMONIES | ||
- | viz: Long panning shot of crowd of Čapek stadium. | + | | //viz: Long panning shot of crowd of Čapek stadium.// || |
- | + | ^ ANNOUNCER 1: | And with that, the 23rd annual Augmented Games comes to an end. | | |
- | **ANNOUNCER 1:** And with that, the 23rd annual Augmented Games comes to an end. | + | ^ ANNOUNCER 2: | It really was an amazing games, wasn't it? | |
- | + | | //viz: Interior mid-shot of two announcers at a long desk// || | |
- | **ANNOUNCER 2:** It really was an amazing games, wasn't it? | + | ^ ANNOUNCER 1: | It was. We saw some really impressive records set this time. The augletes are really pushing the boundaries of human performance on the field. |
- | + | ^ ANNOUNCER 2: | They really are. The numbers are so impressive, but beyond those numbers, it's the stories, the human stories, that really stand out to me this time. There' | |
- | viz: Interior mid-shot of two announcers at a long desk | + | ^ ANNOUNCER 1: | I think I know who you're talking about. |
- | + | ^ ANNOUNCER 2: | You do! Of course you do! She's all anyone is talking about. | |
- | **ANNOUNCER 1:** It was. We saw some really impressive records set this time. The augletes are really pushing the boundaries of human performance on the field. | + | ^ ANNOUNCER 1: | Collette Phan! | |
- | + | ^ ANNOUNCER 2: | Or Rush to her fans! And she's picked up more than a few of those in the past 4 days. | | |
- | **ANNOUNCER 2:** They really are. The numbers are so impressive, but beyond those numbers, it's the stories, the human stories, that really stand out to me this time. There' | + | ^ ANNOUNCER 1: | That high-dive! It was unbelieveable. Do we have footage of that? | |
- | + | | //viz: Drone footage of a high-altitude stationary platform. Support techs wearing heavy flight suits and breathing apparatuses are preparing equipment. They struggle to stay upright against high winds.// || | |
- | **ANNOUNCER 1:** I think I know who you're talking about. | + | ^ ANNOUNCER 1: | Here's the big arrival that captured, I mean, just captivated audiences worldwide. |
- | + | | //viz: The platform' | |
- | **ANNOUNCER 2:** You do! Of course you do! She's all anyone is talking about. | + | ^ ANNOUNCER 2: | Look at that confidence! She's really taking her time to own that platform. You can almost hear the sponsorship deals rolling in. | |
- | + | ^ ANNOUNCER 1: | Is she holding her breath? You can't breathe up there, can you? | | |
- | **ANNOUNCER 1:** Collette Phan! | + | ^ ANNOUNCER 2: | Well *I* couldn' |
- | + | ^ ANNOUNCER 1: | Wait, here's the best part, she's asking for the radio, see.. wait for it, she's got something to say. | | |
- | **ANNOUNCER 2:** Or Rush to her fans! And she's picked up more than a few of those in the past 4 days. | + | | //viz: Rush, holding a microphone, glances over the edge and shrugs.// || |
- | + | ^ RUSH | Huh. I thought it would be higher. | |
- | **ANNOUNCER 1:** That high-dive! It was unbelieveable. Do we have footage of that? | + | | //viz: Rush tosses the mic back on the the platform, and casually steps into the void. Camera cuts back to the sports desk// || |
- | + | ^ ANNOUNCER 2: | She got a perfect score across the board! She said THAT and then nailed it! Even the Sankaku judge had to give her a perfect 10. Unbelieveable! | |
- | viz: Drone footage of a high-altitude stationary platform. Support techs wearing heavy flight suits and breathing apparatuses are preparing equipment. They struggle to stay upright against high winds. | + | ^ ANNOUNCER 1: | And that wasn't her only event, can we see the 1000 meter dash, too? | |
- | + | </ | |
- | **ANNOUNCER 1:** Here's the big arrival that captured, I mean, just captivated audiences worldwide. | + | |
- | + | ||
- | viz: The platform' | + | |
- | + | ||
- | **ANNOUNCER 2:** Look at that confidence! She's really taking her time to own that platform. You can almost hear the sponsorship deals rolling in. | + | |
- | + | ||
- | **ANNOUNCER 1:** Is she holding her breath? You can't breathe up there, can you? | + | |
- | + | ||
- | **ANNOUNCER 2:** Well *I* couldn' | + | |
- | + | ||
- | **ANNOUNCER 1:** Wait, here's the best part, she's asking for the radio, see.. wait for it, she's got something to say. | + | |
- | + | ||
- | viz: Rush, holding a microphone, glances over the edge and shrugs. | + | |
- | + | ||
- | **RUSH:** Huh. I thought it would be higher. | + | |
- | + | ||
- | viz: Rush tosses the mic back on the the platform, and casually steps into the void. Camera cuts back to the sports desk | + | |
- | + | ||
- | **ANNOUNCER 2:** She got a perfect score across the board! She said THAT and then nailed it! Even the Sankaku judge had to give her a perfect 10. Unbelieveable! | + | |
- | + | ||
- | **ANNOUNCER 1:** And that wasn't her only event, can we see the 1000 meter dash, too? | + | |
---- | ---- | ||
===== Shalem 11 ===== | ===== Shalem 11 ===== | ||
+ | {{ : | ||
- | MAGAZINE ARTICLE: Climb Up!{{ : | + | > < |
+ | MAGAZINE ARTICLE: Climb Up! | ||
FROM Climb Up! Weekly, NOV 23, 2062\\ | FROM Climb Up! Weekly, NOV 23, 2062\\ | ||
Line 320: | Line 305: | ||
So thank you, Shalem 11, for making this one reporter' | So thank you, Shalem 11, for making this one reporter' | ||
+ | </ | ||
---- | ---- |