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| lore:datalogs [2020-06-17 02:52] – [Banks] andrew | lore:datalogs [2021-04-12 11:16] (current) – [Datalogs] andrew | ||
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| ====== Datalogs ====== | ====== Datalogs ====== | ||
| - | Datalogs are snippets of in-universe text which can be obtained by completing a [[missions: | + | Datalogs are snippets of in-universe text which can be obtained by completing a [[missions: |
| The datalogs are only available when playing with the [[: | The datalogs are only available when playing with the [[: | ||
| Line 31: | Line 31: | ||
| ---- | ---- | ||
| ===== Central ===== | ===== Central ===== | ||
| + | {{ : | ||
| - | DEPROGRAMMING TRANSCRIPT\\ | + | > <WRAP chatlog> |
| + | DEPROGRAMMING TRANSCRIPT \\ | ||
| ArctuCo Security Detachment Office, Dec 23, 2043 | ArctuCo Security Detachment Office, Dec 23, 2043 | ||
| - | **Interrogator: | + | ^ Interrogator: |
| - | + | ^ Subject: | |
| - | **Subject:** Ellen Ripley | + | | //<sounds of electrical discharge, groaning> |
| - | + | ^ Interrogator: | |
| - | <sounds of electrical discharge, groaning> | + | ^ Subject: |
| - | + | | //<sounds of electrical discharge, groaning> | |
| - | **Interrogator: | + | ^ Interrogator: |
| - | + | ^ Subject: | |
| - | **Subject:** | + | | //<sounds of electrical discharge, groaning> |
| - | + | ^ Interrogator: | |
| - | <sounds of electrical discharge, groaning> | + | ^ Subject: |
| - | + | ^ Interrogator: | |
| - | **Interrogator: | + | ^ Subject: |
| - | + | ^ Interrogator: | |
| - | **Subject:** I already told you, I'm a Regional Director of Acquisitions for FTM. I'm here to talk business with ArctuCo. We're looking to hire you for- | + | ^ Subject: |
| - | + | ^ Interrogator: | |
| - | <sounds of electrical discharge, groaning> | + | </ |
| - | + | ||
| - | **Interrogator: | + | |
| - | + | ||
| - | **Subject:** I was looking for the bathroom. I took a wrong turn!\\ | + | |
| - | < silence > | + | |
| - | What, are you worried about your electricity bill all of a sudden?\\ | + | |
| - | + | ||
| - | **Interrogator: | + | |
| - | + | ||
| - | **Subject:** Alright. The charade was getting tiresome, anyway. Hand us a towel, will you? | + | |
| - | + | ||
| - | **Interrogator: | + | |
| - | + | ||
| - | **Subject:** Poor approximation? | + | |
| - | + | ||
| - | **Interrogator: | + | |
| - | Now. Let's begin again, shall we? But for real, this time. | + | |
| ---- | ---- | ||
| Line 138: | Line 123: | ||
| ---- | ---- | ||
| ===== Draco ===== | ===== Draco ===== | ||
| + | {{ : | ||
| - | *THE DATA VAMPIRES" | + | > < |
| + | "THE DATA VAMPIRES" | ||
| (Excerpt from chapter 13: Abby plugs in) | (Excerpt from chapter 13: Abby plugs in) | ||
| Line 161: | Line 148: | ||
| She was a hunter, and this was her net. | She was a hunter, and this was her net. | ||
| + | </ | ||
| ---- | ---- | ||
| ===== Internationale ===== | ===== Internationale ===== | ||
| + | {{ : | ||
| - | MAGAZINE ARTICLE: International Worker{{ : | + | > < |
| + | MAGAZINE ARTICLE: International Worker | ||
| LETTER TO THE EDITOR\\ | LETTER TO THE EDITOR\\ | ||
| Line 186: | Line 176: | ||
| For shame. | For shame. | ||
| Maria Valdez | Maria Valdez | ||
| + | </ | ||
| ---- | ---- | ||
| ===== Monst3r ===== | ===== Monst3r ===== | ||
| - | {{ : | + | {{ : |
| > <WRAP chatlog> | > <WRAP chatlog> | ||
| Line 235: | Line 226: | ||
| ---- | ---- | ||
| ===== Prism ===== | ===== Prism ===== | ||
| + | {{ : | ||
| - | ONLINE REVIEW: "The Istanbul Four" (2070){{ : | + | > < |
| + | ONLINE REVIEW: "The Istanbul Four" (2070) | ||
| It's easy to get jaded in this business. I watch A LOT of holovids - entire days spent immersed in the worst dreck pumped out by the 'woods - and it's only through the generous application of (legal, I swear!) stims that I get through it. Have you ever tried the senso The Wise Room while chemically un-assisted? | It's easy to get jaded in this business. I watch A LOT of holovids - entire days spent immersed in the worst dreck pumped out by the 'woods - and it's only through the generous application of (legal, I swear!) stims that I get through it. Have you ever tried the senso The Wise Room while chemically un-assisted? | ||
| Line 255: | Line 248: | ||
| I give "The Istanbul Four" 4½ stars out of 4. This one is literally off the charts! | I give "The Istanbul Four" 4½ stars out of 4. This one is literally off the charts! | ||
| + | </ | ||
| ---- | ---- | ||
| ===== Rush ===== | ===== Rush ===== | ||
| + | {{ : | ||
| - | 2050 AUGMENT GAMES TRANSCRIPT\\ | + | > <WRAP chatlog> |
| + | 2050 AUGMENT GAMES TRANSCRIPT \\ | ||
| TRANSCRIPT OF THE CLOSING CEREMONIES | TRANSCRIPT OF THE CLOSING CEREMONIES | ||
| - | viz: Long panning shot of crowd of Čapek stadium. | + | | //viz: Long panning shot of crowd of Čapek stadium.// || |
| - | + | ^ ANNOUNCER 1: | And with that, the 23rd annual Augmented Games comes to an end. | | |
| - | **ANNOUNCER 1:** And with that, the 23rd annual Augmented Games comes to an end. | + | ^ ANNOUNCER 2: | It really was an amazing games, wasn't it? | |
| - | + | | //viz: Interior mid-shot of two announcers at a long desk// || | |
| - | **ANNOUNCER 2:** It really was an amazing games, wasn't it? | + | ^ ANNOUNCER 1: | It was. We saw some really impressive records set this time. The augletes are really pushing the boundaries of human performance on the field. |
| - | + | ^ ANNOUNCER 2: | They really are. The numbers are so impressive, but beyond those numbers, it's the stories, the human stories, that really stand out to me this time. There' | |
| - | viz: Interior mid-shot of two announcers at a long desk | + | ^ ANNOUNCER 1: | I think I know who you're talking about. |
| - | + | ^ ANNOUNCER 2: | You do! Of course you do! She's all anyone is talking about. | |
| - | **ANNOUNCER 1:** It was. We saw some really impressive records set this time. The augletes are really pushing the boundaries of human performance on the field. | + | ^ ANNOUNCER 1: | Collette Phan! | |
| - | + | ^ ANNOUNCER 2: | Or Rush to her fans! And she's picked up more than a few of those in the past 4 days. | | |
| - | **ANNOUNCER 2:** They really are. The numbers are so impressive, but beyond those numbers, it's the stories, the human stories, that really stand out to me this time. There' | + | ^ ANNOUNCER 1: | That high-dive! It was unbelieveable. Do we have footage of that? | |
| - | + | | //viz: Drone footage of a high-altitude stationary platform. Support techs wearing heavy flight suits and breathing apparatuses are preparing equipment. They struggle to stay upright against high winds.// || | |
| - | **ANNOUNCER 1:** I think I know who you're talking about. | + | ^ ANNOUNCER 1: | Here's the big arrival that captured, I mean, just captivated audiences worldwide. |
| - | + | | //viz: The platform' | |
| - | **ANNOUNCER 2:** You do! Of course you do! She's all anyone is talking about. | + | ^ ANNOUNCER 2: | Look at that confidence! She's really taking her time to own that platform. You can almost hear the sponsorship deals rolling in. | |
| - | + | ^ ANNOUNCER 1: | Is she holding her breath? You can't breathe up there, can you? | | |
| - | **ANNOUNCER 1:** Collette Phan! | + | ^ ANNOUNCER 2: | Well *I* couldn' |
| - | + | ^ ANNOUNCER 1: | Wait, here's the best part, she's asking for the radio, see.. wait for it, she's got something to say. | | |
| - | **ANNOUNCER 2:** Or Rush to her fans! And she's picked up more than a few of those in the past 4 days. | + | | //viz: Rush, holding a microphone, glances over the edge and shrugs.// || |
| - | + | ^ RUSH | Huh. I thought it would be higher. | |
| - | **ANNOUNCER 1:** That high-dive! It was unbelieveable. Do we have footage of that? | + | | //viz: Rush tosses the mic back on the the platform, and casually steps into the void. Camera cuts back to the sports desk// || |
| - | + | ^ ANNOUNCER 2: | She got a perfect score across the board! She said THAT and then nailed it! Even the Sankaku judge had to give her a perfect 10. Unbelieveable! | |
| - | viz: Drone footage of a high-altitude stationary platform. Support techs wearing heavy flight suits and breathing apparatuses are preparing equipment. They struggle to stay upright against high winds. | + | ^ ANNOUNCER 1: | And that wasn't her only event, can we see the 1000 meter dash, too? | |
| - | + | </ | |
| - | **ANNOUNCER 1:** Here's the big arrival that captured, I mean, just captivated audiences worldwide. | + | |
| - | + | ||
| - | viz: The platform' | + | |
| - | + | ||
| - | **ANNOUNCER 2:** Look at that confidence! She's really taking her time to own that platform. You can almost hear the sponsorship deals rolling in. | + | |
| - | + | ||
| - | **ANNOUNCER 1:** Is she holding her breath? You can't breathe up there, can you? | + | |
| - | + | ||
| - | **ANNOUNCER 2:** Well *I* couldn' | + | |
| - | + | ||
| - | **ANNOUNCER 1:** Wait, here's the best part, she's asking for the radio, see.. wait for it, she's got something to say. | + | |
| - | + | ||
| - | viz: Rush, holding a microphone, glances over the edge and shrugs. | + | |
| - | + | ||
| - | **RUSH:** Huh. I thought it would be higher. | + | |
| - | + | ||
| - | viz: Rush tosses the mic back on the the platform, and casually steps into the void. Camera cuts back to the sports desk | + | |
| - | + | ||
| - | **ANNOUNCER 2:** She got a perfect score across the board! She said THAT and then nailed it! Even the Sankaku judge had to give her a perfect 10. Unbelieveable! | + | |
| - | + | ||
| - | **ANNOUNCER 1:** And that wasn't her only event, can we see the 1000 meter dash, too? | + | |
| ---- | ---- | ||
| ===== Shalem 11 ===== | ===== Shalem 11 ===== | ||
| + | {{ : | ||
| - | MAGAZINE ARTICLE: Climb Up!{{ : | + | > < |
| + | MAGAZINE ARTICLE: Climb Up! | ||
| FROM Climb Up! Weekly, NOV 23, 2062\\ | FROM Climb Up! Weekly, NOV 23, 2062\\ | ||
| Line 328: | Line 305: | ||
| So thank you, Shalem 11, for making this one reporter' | So thank you, Shalem 11, for making this one reporter' | ||
| + | </ | ||
| ---- | ---- | ||